The end. 74,327 words. You can go back to inquiring about my progress. Dear readers, I have finished writing my first novel.
Okay, the first draft. Let the edits begin.
The end. 74,327 words. You can go back to inquiring about my progress. Dear readers, I have finished writing my first novel.
Okay, the first draft. Let the edits begin.
I’ve been working on the first draft of my first novel for a year and five months. For last five months I’ve claimed to be in the home stretch, a place that has proved to have great elasticity indeed. My finish line keeps moving. I’ve added three chapters that somehow eluded my beginning outline, so how was I supposed to know I was going to have to write them? Then there’s the ever-present problem of finding time to do the writing. I considered telling my kids they couldn’t have birthdays this year because I had a book to finish, but couldn’t bring myself to do it. Likewise I never quite get to the point of saying to my boss “Sorry, I’m on a roll with my writing. My paying job will have to wait.”
It’s getting embarrassing, as people ask me how the novel is going and I keep answering “Almost done with the first draft.” I hope it doesn’t go on my tombstone: “She almost finished the first draft.” I started telling people I was writing a novel because I thought if others knew about my project, I’d have to finish it. It would help me to take myself seriously.
At first I spoke with enthusiasm, even when I encountered the skeptical look I knew meant everyone’s writing a novel. I spoke with confidence because I knew I’d be the person who actually finished the task. When queried, I’d report “Got the outline done.” Or “Wrote another chapter last week.” And it sounded even to me as if I were progressing toward something, even if I was getting there at a strolling pace. Now I’m starting to feel like Moses, with the promise of a new land shifting ever onward into the future and a whole nation asking “Are we there yet?” Or like a bad credit risk. I find myself tempted to avoid those acquaintances who are most likely to ask about the status of my novel because it feels too much like “Do you have that $20 you owe me yet?”
I know I’ve done this to myself. It’s only because I set myself up for it that I have to feel so sheepish now when I answer. I suppose there’s only one solution, and that’s to finish the damn book. Which I guess means my plan is working. I told everyone I was going to do it. Now I have to keep my word.
I knew that, in addition to her mind-blowing fiction, Margaret Atwood also writes some pretty decent poetry. And now I come across her non-fiction book, Payback (Debt and the Shadow Side of Wealth.)
The book is as thought-provoking as I assumed anything by Atwood would be. (Okay, that sounds a little too much like “How much wood would a woodchuck…) The book has nothing to do with managing your finances and everything to do with examining the meanings and origins of the concept of debt. What do we owe each other and why do we think we owe it?
Of particular interest to fiction writers will be chapter three: Debt as Plot, which made me think that there aren’t even four basic plots. Perhaps there’s only one, and it is debt. Who owes what to whom, how did they get into that debt and how are they going to get out of it? She begins the chapter by saying “Without memory there is no debt. Put another way: without story there is no debt.”
She goes on to examine the story of debt in various works of literature, her rather obvious starting point being Christopher Marlowe’s Doctor Faustus. Some whopper of a debt there. She also discusses A Christmas Carol, Vanity Fair and, a less obvious choice, Wuthering Heights. Think that last title is about romance and affairs of the heart? Well, Atwood would have us know that the heart keeps a balance sheet. Then too, Heathcliff uses financial debt to control those around him.
After reading Payback I find myself examining many of my assumptions about life and human relationships. I also find myself reading fiction with a new eye. Want to unravel the plot? Follow the debt.
It’s spring and the fish trees are in bloom. Other people call them Bradford pear trees, I now know, after asking a friend who is versed in horticultural matters. You can’t help noticing them, of course. Beautiful white flowers, planted everywhere, and a distinctive fishy smell to the blooms. Without knowing the formal name, I had to call them something, so I’ve always referred to them as fish trees. My kids picked up on that, and fish trees they will always be in our family discussions.
We also use sprinkle cheese in our house. My daughter coined this term for the grated parmesan stuff in a can. Another family I know calls the same food feet cheese, because the mother thinks it smells bad.
I’ve always been fascinated by those apocryphal stories of twins who invent their own secret languages. I know there’s been debate about whether this has ever really happened, and if so, to what extent. My personal experience tells me that wherever two or more people are gathered together for any length of extended contact, at least a few privately used words and phrases will spring into being. As my son once pithily observed, “Every word is a made-up word.”
Amazing and flexible thing, language. It can be so personalized and so universalized at the same time. I started thinking about this because I noticed the first fish tree blooms the same day I read that the final volume of the Dictionary of American Regional English will be published this year. This dictionary, according to the publishers, “seeks to document the varieties of English that are not found everywhere in the United States–those words, pronunciations, and phrases that vary from one region to another, that we learn at home rather than at school, or that are part of our oral rather than our written culture.”
Big news for language geeks. I can’t wait to lose a few hours over it at the library.
While we’re trying to get used to the clock change getting us up an hour earlier in the morning, this might be a good time to indulge in some caffeinated reading. To that purpose, a list of books about coffee and or tea, or set in coffee/tea shops:
Poetry:
The Art of Making Tea: an Album of Recipes, Portraits, and Other Rituals
Elizabeth Jones Hanley
Teahouse of the Almighty: Poems
Patricia Smith
Graphic Novel:
The Haunted Tea-Cosy: a Dispirited and Distasteful Diversion for Christmas
Edward Gorey (Note: I love this book, and Edward Gorey in general. If you have a dark sense of humor and you celebrate Christmas, you should remember this book come December.)
Mysteries:
Black Coffee: A Hercule Poirot Novel
Agatha Christie
Coffee, Tea or Murder: A Murder She Wrote Mystery
Donald Bain
Coffee to Die For: A Professor Teodora Morelli Mystery
Linda French
Decaffeinated Corpse
Cleo Coyle
Espresso Shot
Cleo Coyle
French Pressed
Cleo Coyle
Irish Coffee
Ralph McInerny
Latte Trouble
Cleo Coyle
One Coffee With
Margaret Maron (note: I didn’t leave words out of the title)
Tea Shop Mystery Series
Laura Childs
Other Fiction:
Coffee and Kung Fu
Karen Brichoux
Coffee in the Morning
Roz Denny
Coffee Rings: Three Women, One Tragic Event
Yvonne Lehman
The Coffee Trader: A Novel
David Liss
Confessions of a Triple Shot Betty
Jody Elizabeth Gehrmen
Darjeeling
Barti Kirchner
Fresh-Brewed Love: Four Novellas Share a Cup of Kindness With a Dollop of Romance
Various
High Tea
Sandra Harper
Stupid and Contagious
Caprice Crane
The Teahouse on Mulberry Street
Sharon Owens
The Teahouse Fire
Ellis Avery
The Various Flavors of Coffee
Anthony Capella
Non-Fiction:
The Art of Tea-Leaf Reading
Jan Struthers
Cappuccino/Espresso: The Book of Beverages
Christie Katon
The Complete Idiot’s Guide to Coffee and Tea
Travis Arndorfer
Confessions of a Coffee Bean: The Complete Guide to Coffee Cuisine
Marie Nadine Antol
Eat Tea: A New Approach to Flavoring Contemporary and Traditional Dishes
Joann Pruess
The Empire of Tea: The Remarkable History of the Plant That Took Over the World
Alan MacFarlane
God in a Cup: The Obsessive Quest for the Perfect Coffee
Micheale Weissman
The Gospel According to Starbucks: Living With a Grande Passion
Leonard I. Sweet
The Green Tea Book: The Science-Backed “Miracle Cure”
Lester A. Mitscher
Green Tea: 50 Hot Drinks, Cool Quenchers, and Sweet and Savory Treats
Mary Lou Heiss
The Harney and Sons Guide to Tea
Michael Harney
Healing Herbal Teas: A Complete Guide to Making Delicious, Healthful Beverages
Brigitte Mars
A History of the World in Six Glasses
Tom Standage
Home Coffee Roasting: Romance and Revival
Kenneth Davids
How Starbucks Saved My Life: A Son of Privilege Learns to Live Like Everyone Else
Michael Gill
Start and Run a Coffee Bar
Thomas Matzen
The Story of Tea: A Cultural History and Drinking Guide
Mary Lou Heiss
Swindled: The Dark History of Food Fraud, From Poisoned Candy to Counterfeit Coffee
Bee Wilson
Tea: Addiction, Exploitation and Empire
Roy Moxham
The Tea Ceremony
Sen-O Tenaka
Tea Cup Reading: A Quick and Easy Guide to Tasseography
Sasha Fenton
Tea Cup Tales: The Art of Reading Tea Leaves
Margaret McWhorter
Tea: The Drink That Changed the World
Laura C. Martin
Three Cups of Tea: One Man’s Mission to Promote Peace – One School at a Time
Greg Mortenson
Uncommon Grounds: The History of Coffee and How It Transformed Our World
Mark Pendergrast
**
Drink in the words and enjoy!
I’m tired of reading about the economy. How about you? Yet I can’t seem to get my mind off of money. How about you? Can’t stop thinking about money, but need some cheering up? Try a selection from the following Funny Money Book List. All of the books have to do with money, and they’re all supposed to have some humor. I haven’t read most of the books, only the synopses, so I make no guarantees.
Funny Money Book List
Fiction:
Bermuda Schwartz by Bob Morris – Mystery
Das Kapital: a Novel of Love and Money Markets by Viken Berberian
Ladies with Options by Cynthia Hartwick
Ladies with Prospects by Cynthia Hartwick
Making Money: a Novel of Discworld by Terry Pratchett – Science Fiction
Old Money by Elizabeth Palmer
Plum Lucky by Janet Evanovich – Mystery
Prizzi’s Money by Richard Condon
A Royal Pain by Rhys Bowen – Mystery
Walking Money by James Born
Non-Fiction:
Dave Barry’s Money Secrets: Like, Why is There a Giant Eyeball on the Dollar? by Dave Barry
Eat the Rich by P.J. O’Rourke
How to Profit from the Coming Rapture: Getting Ahead When You’re Left Behind by Ellis Weiner
The New Yorker Book of Money Cartoons by the New Yorker Magazine
The Official Filthy Rich Handbook by Christopher Tennant
The Serfitt & Cloye Gift Catalog: Just Enough of Too Much by Bob Woodiwiss with illustrations by Andrea Jensen
The Sweet Potato Queens’ Guide to Raising Children for Fun and Profit by Jill Connor Browne
And one bonus kids’ book because I enjoyed it so much:
Lunch Money by Andrew Clements
It’s not about peanut butter, but here is an example of a sestina. I wrote this poem a couple of years ago:
Wasps In Fact
I know the facts of the story.
I was there as witness, of course
and more than that, one of the saved
during the slaying of the wasps.
My father played the hero role
armed with a spray can and ladder.
Not sturdy, it shook, the ladder
as he climbed to the top story.
I never questioned my dad’s role,
the labor of knocking off course
any homesteading plans of wasps,
nor doubted if I would be saved.
The nest was enormous; he saved
it, carried it down the ladder,
proof that the multitudes of wasps
matched the large claims of his story.
The stings he received in the course
of battle also served this role.
He insisted they played no role
in making him sick, the stings, saved
that blame for the flu cutting course
through the city. That the ladder
needed fixing fit the story
well, too, but not illness from wasps.
Now it falls to me, fighting wasps.
My children have filled my old role.
I saw right through my dad’s story
long ago. The spin he used saved
his ego I thought. The ladder
held steady later on, of course.
Raising children has been a course
in hindsight relating to wasps
and the sturdiness of ladders.
Less a character trait than role
requirement, dad’s bravado saved
us from fear; that’s now my story.
Over the course of time, the role
of wasps did not change; also saved:
the ladder’s part in the story.
***
I’ve seen variations on the form, but they all involved using 39 lines and repeating the same six end words. I took my guidance from The Book of Forms by Lewis Turco.
You can read more about the sestina here:
Note: This isn’t a review. It’s a summary of some random thoughts I had while reading.
I began reading My Stroke of Insight by Jill Bolte Taylor after watching the author’s speech on TED . Taylor is a brain scientist who experienced a stroke at the age of 37.
I’ve never been in the hospital with a stroke. So why did her experience seem so familiar as I read about it? The answer revealed itself with this sentence: “I wanted my doctors to focus on how my brain was working rather than on whether it worked according to their criteria or timetable.”
Aha! It was much like having a kid in school, I realized. Substitute a few words and you have a sentenced uttered by some parent somewhere at least once every day, especially if that parent has been through the IEP process.
“I wanted the educators to focus on how my child’s brain was learning rather than on whether it learned according to their criteria or timetable.”
I may have uttered those exact words. I know I’ve said something at least very close.
There’s also this sentence from the book: “My ability to cognate was erroneously assessed by how quickly I could recall information, rather than by how my mind strategized to recover the information it held.”
Familiarer and familiarer.
Taylor credits many thoughtful healthcare professionals who offered her real assistance and compassion. Nevertheless, it’s clear they were working within a strong institutional culture that made it difficult to operate outside the proverbial box. Likewise with teachers. Most of the ones I’ve known are great individuals, working within a strong institutional culture that allows teaching to a narrow range of learning styles and not much more.
We parents are asking them to meet our children’s needs, while the boss – the institutional culture – is requesting them to get the children to meet the needs of the system. This is why left-handers used to have to be cured. They smudged the paper too much; it caused problems with institutional efficiency.
In the chapter titled What I Needed the Most, the list again seems like one that should be sent to educators as well as those working with stroke survivors. For instance: “I needed the people around me to believe in the plasticity of my brain and its ability to grow, learn, and recover.”
Some of the other needs she mentions – love, encouragement, dreams – are things we all need. May we all grow, learn and recover from our lives’ traumas if we remember to supply these to each other.
I encourage everyone to watch the talk on TED, even if you don’t read the book. It’s got good information on stroke, things we all should know. But it’s more about life and love and compassion, things we all should know as well.
In my last post I made a brief recommendation for the book “Writing Alone and With Others” by Pat Schneider. I want to add a bit more about it.
I mentioned the word “realistic” when I talked about the advice Schneider gives; to me that’s what makes this book so valuable. Perhaps the book speaks to me because the author has faced the same struggle I have of trying to find writing time while caring for children. She helped me see in a concrete way that finding time to write is a matter of priorities. It sounds obvious, but it wasn’t until I read this book that I took a hard look at the choices I make.
An anecdote from Schneider’s own life sticks with me. She shares the moment she had her own epiphany. She was stressed about her lack of opportunities for writing, and at the same time she was trying to piece a quilt. Then she had one of those vaunted moments of clarity when she decided she could make the quilt or she could write, but she didn’t have time to do both. She put away the quilt. This is what I mean by realistic. She doesn’t feed aspiring writers false promises, telling us we can do it all – be a devoted parent, a fabulous chef, pursue every other art and craft that catches our interest and still write. You do have to choose between writing and other activities.
Schneider gives equal respect to people who would choose the quilt over the writing; she only points out that you need to be clear with yourself what you are choosing and why. This helps me make my peace with not writing at times, too. Some things are a higher priority for me. Daughter’s choir concert? No brainer. Sleep? I may choose to write instead. Knitting, as all of my friends seem to do these days? No thanks, I’d rather spend my time writing than learning to knit.
There’s so much more to the book: lots of tips on writing groups, critiquing in a helpful rather than hurtful way, writing prompts, encouragement to explore what works for you in your life, how to deal with naysayers. But for me, the lesson on priorities made the most difference.
Writing is a solitary activity. I find I have to make an effort to keep it from being an isolating activity. I write more and better when I keep in regular contact with other writers. For one thing, if I’m expected to bring a piece of writing to share, I have to get my butt in the chair and my fingers on the keyboard. For another, I’m encouraged by speaking with people who get it, people who will celebrate with me if I say I managed to find time for writing this week, rather than people who will look with at my messy house with an arched eyebrow upon receiving such information.
Even if I’m only meeting with other writers for an hour in which we hardly speak, but rather sit with our individual laptops and spiral notebooks, I notice the boost. When I’m home alone,using time I’ve carved out that’s supposed to be dedicated to writing and nothing else, it’s so easy to slack. It’s so easy to tell myself I’ll sit at the computer after I get the next load of laundry in the washer, or after I do one of any of the other thousand chores staring me in the face, or after I read my email, then check a couple of web sites. But when I meet with other writers, I feel accountable for getting the words on the page. I’ll get caught if I cheat.
One of the best books I’ve read that addresses both aspects of the writing life, the solitary and the social, is Pat Schneider’s “Writing Alone and With Others.” She gives excellent and realistic advice about making the most positive use of both situations.